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Radiance Films

Red Sun

Red Sun

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Red Sun

Thomas (Marquard Bohm, Kings of the Road) gets a ride to Munich where he finds his ex-girlfriend Peggy (counter culture activist and model Uschi Obermaier) who takes him in. In her flat he finds Peggy and her roommates have a commune-like lifestyle where they kill the men in their lives after five days, but will Thomas realise in time? A pop fantasy focused on the post-’68 and women's liberation movements, Red Sun was compared to a comic strip by Wim Wenders and is a beautiful art-genre collision that is both brilliantly bizarre and provocative. Director Rudolf Thome was an emerging talent in the New German Cinema alongside Wenders, Fassbinder and Herzog, but received little international distribution and fell into obscurity despite a consistent career covering six decades. Radiance Films is proud to present Red Sun to English-speaking audiences for the first time in a restoration overseen by Thome. 

Limited Edition Special Features:

  • High-definition digital transfer overseen by director Rudolf Thome
  • Select scene commentary with Thome and Rainer Langhans, Obermaier’s boyfriend and Kommune 1 member who served as inspiration for the film and was on set for the shoot
  • Rote Sonne between Pop Sensibility and Social Critique - A newly produced visual essay by scholar Johannes von Moltke on Red Sun, which looks at the social and cultural influences on the film and provides context for the era in which it was made (2022, 21 mins)
  • From Oberhausen to the Fall of the Wall: A visual essay by academic and programmer Margaret Deriaz tracing the development of the New German Cinema from the Oberhausen Manifesto to the fall of the Berlin wall (2023, 50 mins)

Limited edition also available in USA/Canada from our partners Diabolik, Orbit, Grindhouse

Year: 1970
Cert: 12
Format: Blu-ray
Region: Free
RAD006BD
EAN: 5060974680115
Release date: 23/10/23

 

“A film that truly marks the beginning of a new genre” – Wim Wenders

 “One of the finest and most important German films of all time” – Die Presse

 “The first masterpiece of the young German film” – Der Standard

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